Presented by:
Cami Thunder, Co-Owner, Tattoo Artist | Michelle Regan, Co-Owner, Retail Management
Dan Regan, Support Role, Aerospace Engineer | Dane Thurber, Support Role, Software Engineer
Research inquiries: Cami Thunder, Reclamation Tattoo & Oddities, Littleton, Colorado, info@reclamationto.com, (720) 441-2928
What We've Read
This project builds on a real, if thin, body of existing research. Here is what we have read so far.
Painter, E. (2017). Therapeutic Aspects of Tattoo Acquisition: A Phenomenological Inquiry into the Connection Between Psychological Trauma and the Writing of Stories into Flesh. Doctoral dissertation, University of Tennessee.
Hanalis-Miller, T., Genkin, A., and Gershfeld-Litvin, A. (2026). This is the first time I felt they're mine: the significance of tattoos in coping and identity reconstruction following mastectomy. Supportive Care in Cancer, 34, 902.
Roggenkamp, H., Nicholls, A., and Pierre, J. M. (2017). Tattoos as a window to the psyche: how talking about skin art can inform psychiatric practice. World Journal of Psychiatry, 7(3), 148 to 158.
Naude, F., and Naude, L. (2024). (Tat)who am I? Tattoos as an expression of narrative identity. Identity, 24(2), 79 to 94.
Strohecker, D. P. (2011). Towards a pro social conception of contemporary tattooing: the psychological benefits of body modification. Rutgers Journal of Sociology, 1.
Kleck, R. E., and Strenta, A. (1980). Perceptions of the impact of negatively valued physical characteristics on social interaction. Journal of Personality and Social Psychology, 39(5), 861 to 873.
Substance Abuse and Mental Health Services Administration. Trauma informed care fact sheet, Center for Health Care Strategies.
Wonneberger, S. (2020). Tattoo After Trauma: Investigating Tattoos as a Form of Healing after Psychological Trauma. Undergraduate honors thesis, University of Colorado Boulder, advised by Alison Hatch. Interviewed twelve young adults who self identified as having experienced psychological trauma and subsequently gotten tattoos.
Glans, M. R., Nilsson, J., and Bejerot, S. (2024). Tattoos, piercings, and symptoms of ADHD in non-clinical adults: a cross-sectional study. Frontiers in Psychiatry, 14, 1224811. Cross-sectional study of 762 Swedish adults, first reported as a 2022 conference abstract in European Psychiatry.
The Reclamation Research Project
Call for Research Partners
There is a small body of research on tattooing after trauma. There is almost nothing on tattooing and neurodivergence. We're proposing that this link, the effects, and connections be studied in a measurable environment, Reclamation Tattoo & Oddities.
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A handful of studies connect tattoos to trauma recovery. People describe getting control back over their own bodies, marking survival, telling a life story on skin. Thin as it is, that research exists, mostly in psychology and counselor education programs.
Self harm scar cover up has been studied from one direction only. A single study interviewed tattoo artists about covering scars. That work studied it almost entirely from the artist's side. No study has centered the client's experience.
Neurodivergent tattoo experience has one research group, one line of quantitative work. It frames body modification as a symptom of impulsivity. Nothing exists on sensory experience, meaning making, or identity for autistic and ADHD people getting tattooed. Nothing on why so many of us end up choosing tattoos on our own terms after years of not having control over our own bodies.
We are not filling this gap from the outside. We work inside it every day.
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Reclamation Tattoo was built by Cami Thunder, an autistic ADHDer who spent years thinking the problem was her before she got diagnosed and realized the actual problem: the world was not built for nervous systems like hers. That included tattoo shops. Especially tattoo shops.
Standard shops are loud, unpredictable, and run entirely on the artist's terms, leaving the client with almost no control over their own experience. Cami tried to work inside that model for years. It never fit. When she opened her own studio, she built it around the thing she had actually been missing: environmental peace, consent, and control, with sensory attunement treated as a core principle instead of something to accommodate quietly or apologize for.
It turned out her clients had been looking for exactly that, without knowing there was a word for it. This proposal comes out of that same position: we are not approaching neurodivergent tattoo experience as outside observers. We are proposing to study what we already live and work inside every day.
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Some of this is already written policy. Every client gives consent in stages, not once at the door, and sensory preferences get collected before the session starts, not guessed at during it.
Some of it is standard practice even though it is not written down yet. Headphones are already available to any client who wants them.
Some of it is still ahead of us. When the new shop opens, we're adding preference lanyards clients can wear instead of explaining themselves out loud, sensitivity tags for staff so a client's needs travel with them through the whole visit, and a neurodivergent bill of rights displayed in the space.
Naming the exact tools to measure any of this is not ours to decide alone. That's a joint decision with whoever leads the research.
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Sensory and environmental research.
Why sound, pacing, and physical setup matter as much as technique. Studio lighting has to stay bright enough for an artist to work safely, so accommodation there comes through options like eye masks rather than changing the room itself. What sensory attuned care actually looks like in a tattoo session, and how to measure whether it works. Research question: How do sensory and environmental factors in a tattoo session affect regulation and distress for autistic and ADHD clients, and how could that effect be measured?
Identity and healing research.
What it means to mark your body on your own terms after a late diagnosis, after years of masking, after living in a body that did not cooperate with you. How tattooing functions as part of that process for neurodivergent people specifically, not just trauma survivors generally. Research question: How does choosing and receiving a tattoo function in identity reconstruction for neurodivergent adults after a late diagnosis or years of masking?
Client experience and outcomes research on scar cover up work.
How scar cover up tattoos function for people recovering from self harm, a question the existing research answers almost entirely from the artist's side, not the client's. Research question: How do clients, not just artists, experience the process and outcome of tattooing over self harm scars?
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Tattooing scarred and structurally atypical skin raises its own technical and medical questions, separate from the psychological research above. This belongs with dermatology and medical partners, not a psychology department. We have direct hands on experience tattooing this kind of skin, and we're building that relationship with Colorado Skin and Vein.
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If you work anywhere near trauma, neurodivergence, art therapy, occupational therapy, or body modification, we want to talk.
What we can offer a research partner.
We don't track exact numbers yet, but our best estimate is that about two thirds of our clients identify as neurodivergent in some way. Client volume itself isn't formally tracked right now, and that's exactly the kind of thing a research partnership could help us start measuring properly.
Our new shop will have a private, fully enclosed space where a confidential interview could happen. We don't have a firm timeline yet for when that space will be ready, building takes longer than anyone wants it to, but it is part of the plan.
Once we're settled into the new space, we will sign a memorandum of agreement, be named as a formal community partner on grant applications and letters of support, and host student practicum or capstone placements.
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If this describes something you have felt but never seen studied, you are the reason this project exists. You do not need to be a client here to follow along. We will share updates as the research and the partnerships develop, and there will be ways to contribute your own experience if and when we build that piece out. Any gathering of client or community experience for research purposes will happen under a university's oversight board, not run by the shop itself.
Reclamation Tattoo & Oddities is a tattoo studio, not a mental health service. If you're struggling, the 988 Suicide and Crisis Lifeline is available by call or text, any time, at 988.
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If you want to understand what a research minded, neurodivergence focused tattoo studio actually looks like in practice, reach out. We would rather talk to you directly than have this project summarized secondhand.
Early Stages
The research hasn't started yet and the partnerships aren't yet compiled. We'd rather say that plainly than oversell where we are. What we are offering is a studio that has been solving this problem in practice, a body of context we've already pulled together, and an invitation to anyone who wants to help build the study that could benefit a forgotten population.
Research inquiries: Cami Thunder, info@reclamationto.com
Learn more about Reclamation Tattoo & Oddities at reclamationtattoo.com
Community and Resource Partners Reclamation Tattoo & Oddities Works Alongside.
Reclamation works alongside a small network of organizations doing adjacent work in our community:
Stimpunks, BARE Inc, Colorado Skin and Vein, Node Arts Collective, and Denver Holistic Health.
Last updated September 2026